Bibliography

Books:

• Breward, C. (1995).The Culture Of Fashion. Manchester University Press, Manchester and New York.
• Corson, R. (2005). Fashion In Hair- The First Five Thousand Years. Peter Owen Publishers.
• Corson, R. (2010). Fashion In Makeup - From Ancient To Modern Times. Revised Edition, third edition, Peter Owen Publishers.
• Darraj, S. (2009). Anna Sui ( Asian Americans of Achievement) , Chelsea House Publications New York.
• Dickens, C. (2002), Great Expectations, published by Penguin Classics; Revised edition.
• Mitchell, S. (1996). Daily Life in Victorian England. Greenwood Publishing Group. Edition: illustrated.
• Musgrove, J. (2003). Make-up, hair and costume for film and television (Media Manual). Published by Focal Press. 
• P. & Shaw P Bain (1998). Blackletter: Type and National Identity. Princeton. Architectural Press, 1998. Edition: Illustrated. 
• Steele, V. (2003).The Corset - A cultural history. Yale University Press , New Haven & London, printed in Singapore.
• Tarrant, N. (1996). The Development of Costume. Published by the National Museums of Scotland, and Routledge.
• Yarwood, D. (1993). Fashion in the Western World. Published by Batsford, B.T. 

Catwalk shows:

• Comme Des Garcons, 2014 Spring/Summer Paris Fashion Week
• Michael Lau, 'The mummy returns meets Halloween' 2010 Spring/Summer Hong Kong fashion week

Films, TV and Theatre:

• All Hallows' Eve. (2013). [film] United States: Damien Leone.
• American Horror Story: Freak Show. (2014-2015). [TV series] United States: Brad Falchuk, Ryan Murphy. 
• Fear of Clowns. (2004). [film] United States: Kevin Kangas.
• Great Expectations. (1946). [film] United Kingdom: David Lean.
• Great Expectations. (1999). [TV serial] United Kingdom: Julian Jarrold. 
• Great Expectations. (2005). [Theatre] United Kingdom: Holdsworth Drama.
• Great Expectations. (2011). [TV serial] United Kingdom: Brian Kirk. 
• Great Expectations. (2012). [film] United Kingdom: Mike Newell.
• Great Expectations. (2013). [Theatre] United Kingdom: Beckman Unicorn Presents.
• It. (1990). [film] United States: Tommy Lee Wallace.
• Jane Eyre. (2011). [film] United Kingdom: Cary Joji Fukunaga. 
• Supernatural Season 7 episode 14. (2012). [TV series] United States: Eric Kripke.
• The Young Victoria. (2009). [film] United Kingdom: Jean-Marc Valee.
• The way we live now. (2001). [TV mini series] United Kingdom: David Yates.
• The art of Gothic- Britain's midnight hour: Liberty diversity depravity. (2014). [TV Show] United Kingdom: BBC4
• The art of Gothic- Britain;s midnight hour: the city and the soul. (2014). [TV Show] United Kingdom: BBC4
• The art of Gothic -Britain's midnight hour: Blood for sale. (2014). [TV Show] United Kingdom: BBC4 

Websites:

• ADMIN IN PR STUNT, PR STUNTS, PUBLICITY STUNTS, TELEVISIONPR., 2014. WHAT THE DICKENS? MISS HAVISHAMS INVADE LONDON! [Online]. Available at: http://www.taylorherring.com/blog/index.php/2014/05/what-the-dickens-miss-havishams-invade-london/#.VUYj0sJFDIV [Assessed 07/02/2015]
• Asher Kade, [no date]. Memento Mori: Victorian Photographs of the Dead [Online]. Available at: http://www.amazon.com/Blackletter-National-Identity-Paul-Shaw/dp/1568981252 [Assessed 07/02/2015]
• circa 1890, 2013. Good Luck Symbols - Flora & Fauna of the Victorian and Edwardian period [Online]. Available at: http://www.circa1890.com/articles/article/8808782/174323.htm [Assessed 15/01/2015]
• Connie Glasheen, 2012. Victorian flower color symbolism [Online]. Available at: http://www.examiner.com/article/victorian-flower-color-symbolism [Assessed 05/02/2015]
• Dolores Molet, 2014. Women's Fashions of the Victorian Era: From Hoop Skirts to Bustles - 1837- 1901 [Online]. Available at: http://hubpages.com/hub/Fashion-History-Victorian-Costume-and-Design-Trends-1837-1900-With-Pictures [Assessed 13/01/2015]
• Fashion One, 2011. The Discipline of Fashion [Online]. Available at: http://www.fashionone.com/news/2011/09/10/the-discipline-of-fashion/ [Assessed 22/02//2015]
• Finlo Rohrer, 2008. Why are clowns scary? [Online]. Available at: http://news.bbc.co.uk/1/hi/magazine/7191721.stm [Assessed 20/03/2015]
• Gwynne Watkins, 2014. An Expert Explains Why You're Scared Of Creepy Clowns And Other Horror Tropes [Online]. Available at: http://www.vulture.com/2014/10/expert-explains-why-youre-scared-of-clowns.html [Assessed 20/03/2015]
• History Learning Site, 2014. "Womens Rights" [Online]. Available at: http://www.historylearningsite.co.uk/womensrights.htm [Assessed 13/01/2015]
• holyholyfashion, 2012. CIRCUS MAXIMUS- ACNE PAPER [Online]. Available at:http://www.holyholyfashion.com/2012/05/circus-maximus-by-acne-paper.html [Assessed 27/03/2015]
• Jessica Revitte, 2012. Beauty Retrospective: Victorian Vixen [Online]. Available at: http://blog.shesaidbeauty.com/2012/09/02/beauty-retrospective-victorian-vixen/ [Assessed 13/01/2015]
• Jennifer Farley, 2009. The Blackletter Typeface: A Long And Colored History [Online]. Available at: http://www.sitepoint.com/the-blackletter-typeface-a-long-and-colored-history/ [Assessed 29/03/2015]
• Jueves, 2011. History of the Victorian Corset [Online]. Available at: http://victorianeracnr.blogspot.co.uk/ [Assessed 15/01/2015]
• Lori Elliott, 2013. Victorian Shampoo Alternatives [Online]. Available at: http://ourheritageofhealth.com/victorian-shampoo-alternatives/ [Assessed 13/01/2015]
• Mariana Leung, 2009. Pale And Sculptural Gothic Fashion- Michael Lau At HK Fashion Week [Online]. Available at: http://www.courtesanmacabre.com/2009/11/pale-and-sculptural-gothic-fashion.html [Assessed 22/03/2015]
• Marry Jim, [no date]. History Of Wedding Dresses [Online]. Available at: https://www.marryjim.com/en/page/show/id/30/template/history [Assessed 24/01/2015]
• Michelle Tapire, [no date]. Victorian Beauty Treatments [Online]. Available at: http://www.ehow.co.uk/info_8284567_victorian-beauty-treatments.html [Assessed 16/01/2015]
• Natalie Rigg, 2014. Julien d'ys on Comme des Garcons [Online]. Available at: http://www.dazeddigital.com/fashion/article/19706/1/julien-d-ys-on-comme-des-garcons [Assessed 20/03/2015]
• Nicki Howell, 2013. Dark Red Circles Under the Eyes [Online]. Available at: http://www.livestrong.com/article/306832-dark-red-circles-under-the-eyes/ [Assessed 01/02/2015]
• Olivia Goldhill, 2014. Why are we so scared of clowns? [Online]. Available at: http://www.telegraph.co.uk/culture/halloween/11194653/Why-are-we-so-scared-of-clowns.html [Assessed 20/03/2015]
• R.S. Fleming, 2012. Early Victorian Era Make-up; cosmetics & embellishments [Online]. Available at: http://www.katetattersall.com/early-victorian-era-make-up/ [13/01/2015]
• R.S. Fleming, 2013. Victorian Feminine Ideal: about the perfect silhouette, hygiene, grooming, & body sculpting [Online]. Available at: http://www.katetattersall.com/victorian-feminine-ideal-the-perfect-silhouette-hygiene-grooming-body-sculpting/ [Assessed 13/01/2015]
• The Ghost Diaries, [no date]. Memento Mori: Victorian Death Photos [Online]. Available at: http://theghostdiaries.com/memento-mori-victorian-death-photos/ [Assessed 07/02/2015]
• Vintage Victorian, [no date]. Finishing Touches - Illustrations And Descriptions Of Ladies' Hairstyles And Headdresses From The 1850s And 1860s [Online].Available at: http://www.vintagevictorian.com/costume_1860_acc.html [Assessed at: 21/01/2015]

Evaluation of Claudia & Quentin's project

In the second half of the project, I've researched further about Gothic Horror in different areas, such as modern fashion, films and TV series, how the cultures have influenced them. For Claudia and Quentin's project, in order to understand more about clowns, I've researched how clowns have become a horror character and also the reason why many people afraid of clowns. This allows me to comprehend about the evil clowns and helps me to develop my Claudia character. The practice that I've done on myself helps me to know what I need to improve and things I need to change on my designs. I found the most challenging part of Quentin’s design is to make the stitches on Quentin's mouth look realistic. When I did the practice on myself, I've put too much blood and it resulted looking unrealistic. But when I did the final shoot, I think it comes out better and look better. For Claudia’s final design, by practice drawing lines and curves on the face, I feel more confident now and my skills have improved. From this project, I've also learnt different horror archetypes in Gothic horror films and TV series and also understand how different colours and tones can change the mood of the photo. Overall, I'm pleased with the final outcome of the looks. I really enjoy this unit because it allows me to explore my ideas and create our own characters.